The Duomo of San Giorgio in Ragusa Ibla: A Masterpiece of Sicilian Baroque

Discover the history, architecture, and artistic treasures of the Duomo of San Giorgio in Ragusa Ibla, a symbol of Sicilian Baroque and an unmissable destination in Sicily

Text and Photos by Marco Crupi

The Duomo of San Giorgio illuminated at night in Ragusa Ibla, with outdoor cafés and a lively nightlife in the main square of the historic center.

Nestled in the heart of Ragusa Ibla, the Duomo of San Giorgio is one of the most extraordinary examples of Baroque architecture in Sicily. With its grand facade, majestic dome, and incredible artistic heritage, it stands not only as a place of worship but also as a defining symbol of the city. Each year, thousands of visitors are captivated by the magnificence of this sacred masterpiece.

Historical Background

A panoramic night view of Ragusa Ibla, with the city lights and the majestic dome of the Duomo of San Giorgio dominating the landscape.

Ragusa Ibla, an ancient Sicilian city, underwent a significant transformation following the devastating earthquake of 1693, which struck the entire Val di Noto region. This catastrophic event destroyed numerous cities, including Noto and Catania, and claimed around 54,000 lives, with nearly 5,000 casualties in Ragusa alone. The subsequent reconstruction led to the birth of an invaluable architectural heritage, with many Baroque-style buildings, including the Duomo of San Giorgio. During this period, the city split into two: Ragusa Superiore, built on higher ground, and Ragusa Ibla, the historical core where the Duomo stands as a symbol of rebirth after tragedy.

Origins and Construction of the Duomo

Following the 1693 earthquake, which destroyed much of southeastern Sicily, including Ragusa, the need arose to rebuild the mother church dedicated to Saint George. The commission was entrusted in 1738 to architect Rosario Gagliardi, a key figure in Sicilian Baroque, renowned for his work in the reconstruction of Noto and his significant contributions to religious architecture.

The foundation stone of the new Duomo was laid on June 28, 1739, as documented by a plaque on the right side of the staircase. However, construction effectively began in 1744 and spanned several decades, culminating in the completion of the facade in 1775, as indicated on the spire below the cross.

The dome, a distinctive feature of the Duomo, was added later in 1820. According to tradition, it was designed by Ragusan master builder Carmelo Cultraro, inspired by the Pantheon in Paris. However, more recent studies attribute the work to architect Stefano Ittar, marking an evolution towards Neoclassicism. The construction of the Duomo on the site of the previous Church of San Nicola, which had followed the Greek rite until the 16th century, symbolizes the rebirth of Ragusa Ibla after the seismic disaster, reinforcing the city’s cultural and religious identity.

Exterior Architecture

The Facade

The Duomo is distinguished by its majestic tower-like facade, unique in its design, incorporating the bell tower. The central body has a slight convex shape, creating a sense of upward movement typical of the Baroque style. The facade is adorned with free-standing columns and volutes connecting the different levels, producing a breathtaking scenic effect.

Statues of Saint George, Saint James, Saint Peter, and Saint Paul grace the niches on the facade. The main portal, framed by an elaborate mixed-line structure, features wooden doors decorated with scenes of Saint George’s martyrdom, crafted by Vincenzo Fiorello in 1793.

The Dome

The Duomo’s dome, completed in 1820 in a Neoclassical style, stands 43 meters high and rests on an octagonal drum supported by sixteen columns. This architectural element dominates the skyline of Ragusa Ibla, enhancing the structure’s grandeur and solemnity.

Interior of the Duomo

General Structure

The interior follows a Latin cross layout, with three naves separated by ten pillars adorned with sculpted capitals. The central apse is semicircular, and the cornice is enriched with finely detailed sculptural decorations.

Right Nave

  • Chapel of Saint Vito: Houses a painting dedicated to the saint.
  • Chapel of Saint Basil: Contains an altarpiece depicting the saint.
  • Wooden Statue of Saint George: Created by Rosario Bagnasco in 1874, portraying the saint slaying the dragon.
  • Chapel of the Immaculate Conception: Features a painting attributed to Vito D’Anna.
  • Chapel of the Holy Family: Displays a painting by Dario Querci (1864) depicting the Rest on the Flight into Egypt.

Left Nave

  • Chapel of Saint Maria Maddalena dei Pazzi: Holds an altarpiece dedicated to the saint.
  • Chapel of the Rosary: Features a painting of the Madonna of the Rosary.
  • Holy Ark: A reliquary urn carried in procession during festivities.
  • Chapel of the Guardian Angel: Houses a painting by Vito D’Anna (1763).
  • Chapel of Saint Gaudenzia: Displays a painting by Antonio Manno (1782).

Transept

  • Chapel of the Blessed Sacrament: Features a marble altar and silver works by Domenico La Villa (1747).
  • Chapel of Saint Nicholas: Houses a painting by Vito D’Anna (1767).
  • Chapel of the Holy Crucifix: Displays a 17th-century crucifix.
  • Chapel of Saint George: Features a painting by Dario Querci (1866).

The High Altar

The high altar, located in the central apse, is crafted from fine marble. Behind it, the finely carved choir stalls add to the Duomo’s artistic richness.

Artistic Treasures and Sacred Relics

The Sacristy

The Duomo’s sacristy houses a remarkable Renaissance “cona” (altarpiece) attributed to the Gagini workshop, commissioned in 1573. Made of local limestone, it features statues of Saint George on horseback, Saint Hippolytus, and Saint Mercurius, depicted in military attire. Damaged in the 1693 earthquake, it was later resized to fit the new Duomo’s sacristy. Recent restorations have revealed hidden details, including medallions of Adam, Eve, and David.

Additionally, the sacristy preserves the original architectural drawings by Rosario Gagliardi, offering invaluable insight into the design process of the Duomo.

The Treasury of Saint George

The Duomo holds a rich sacred treasure, displayed in the Duomo Museum since 2009, including:

  • Byzantine enkolpion: A cross-shaped reliquary containing relics of Saints Peter and Paul, dating back to the 16th century.
  • Golden monstrance: Created by Palermo goldsmith Giuseppe Vella in the 18th century, encrusted with diamonds, emeralds, and rubies, donated by Canon Giuseppe Sortino.
  • Silver busts: Depicting Saint Gaudenzia and Saint George, showcasing the craftsmanship of Sicilian silversmiths.
  • Liturgical objects: Finely crafted chalices, ceremonial staffs, and sacred vestments highlighting the Duomo’s historical significance.
  • Passion Painting: A large canvas depicting the Crucifixion, used to veil the apse during Lent, created by Calatino painters Francesco and Giuseppe Vaccaro.

These treasures enrich the Duomo’s artistic heritage and serve as a testament to the devotion and religious traditions of the Ragusan community.

Events and Festivities

The Duomo of San Giorgio is the heart of the celebrations honoring Saint George, the patron saint of Ragusa Ibla. These festivities traditionally take place on the last weekend of May or the first weekend of June, spanning three days of religious and folkloric events that bring the entire community together.

The April Liturgical Feast

The celebrations begin on April 23 with the liturgical feast of Saint George. On this day, solemn Masses and religious ceremonies are held inside the Duomo, marking the spiritual preparation for the grand festivities that follow.

The Grand Feast and Processions

The main event takes place between late May and early June, when Ragusa Ibla comes alive with a series of celebrations blending faith and tradition.

On Friday, the statue of Saint George, a masterpiece sculpted by Palermo-based artist Giuseppe Bagnasco in 1842, and the Holy Ark, which holds the saint’s relics along with those of other martyrs, are brought out from the beautifully adorned Duomo. The procession moves towards the Church of Purgatory, where the Holy Ark is temporarily kept, while the statue of Saint George continues its journey to the Church of San Tommaso, where it remains on display for veneration throughout the night.

On Saturday, the statue is taken back to the Church of Purgatory, reuniting with the Holy Ark in preparation for the most awaited day.

On Sunday, the climax of the festivities begins with joyful church bells ringing and celebratory cannon shots. In the afternoon, following a solemn Mass, the statue of Saint George and the Holy Ark are once again carried in procession.

One of the most emotional and iconic moments of the celebration is the “Dance of the Saint” (Ballata del Santo), during which the statue is lifted and “danced” by its bearers in rhythm with lively marching bands, while the crowd chants “Tutti Truonu!”, proclaiming the supremacy of their beloved patron.

The procession winds through the historic streets of Ibla, pausing at significant locations such as the Church of Purgatory and the Iblei Gardens. The grand finale is a breathtaking fireworks display, illuminating the sky above the Duomo and closing the celebrations with a mix of shared joy and deep devotion.

Lost Traditions

In the past, the Feast of Saint George included now-lost traditions, such as the release of a hot air balloon bearing the saint’s cross and a theatrical procession featuring costumed figures reenacting key moments of Saint George’s martyrdom. These unique customs added an extra layer of charm and spectacle to the festivities, showcasing the rich cultural heritage of Ragusa Ibla.

Today, the celebrations remain a powerful symbol of local identity, blending faith, history, and tradition in an event that attracts countless visitors each year, all eager to experience the authenticity of this centuries-old festival.

The Duomo in Popular Culture

With its stunning baroque façade and breathtaking setting, the Duomo of San Giorgio has frequently served as a filming location for movies and TV series.

One of its most famous appearances is in the internationally acclaimed TV series Inspector Montalbano (Il Commissario Montalbano), which has further cemented the Duomo’s reputation as one of Sicily’s architectural gems.

Beyond Inspector Montalbano, the Duomo has also featured in other films and TV productions, including the Taviani brothers’ Kaos and the second season of L’onore e il rispetto.

These productions have helped showcase the beauty of Ragusa Ibla to the world, attracting tourists and film enthusiasts eager to explore the iconic locations brought to life on screen.

Visitor Information: Opening Hours, Tickets and Contacts

Opening Hours

  • Morning: 10:00 AM – 1:00 PM
  • Afternoon: 3:30 PM – 7:30 PM

Mass Times

  • Weekdays (Summer): 7:00 PM
  • Weekdays (Winter): 6:00 PM
  • Sundays & Holidays (Summer): 11:00 AM and 7:00 PM
  • Sundays & Holidays (Winter): 11:00 AM and 6:00 PM

Duomo Museum

  • Location: Salita Duomo, 15 (a short walk from the church)
  • Opening Hours:
    • Summer (Easter to October): Daily, 10:00 AM – 12:30 PM
    • Winter (November to Easter): Weekends only

Tickets

  • Full price: €3.00
  • Reduced: €2.00

Contacts

Visitors are encouraged to check for updates on schedules or special events by contacting the church directly or visiting the official website before their visit.

Location on the Map

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The Duomo of San Giorgio in Ragusa Ibla: A Masterpiece of Sicilian Baroque

Discover the history, architecture, and artistic treasures of the Duomo of San Giorgio in Ragusa Ibla, a symbol of Sicilian Baroque and an unmissable destination in Sicily

Text and Photos by Marco Crupi

The Duomo of San Giorgio illuminated at night in Ragusa Ibla, with outdoor cafés and a lively nightlife in the main square of the historic center.

Nestled in the heart of Ragusa Ibla, the Duomo of San Giorgio is one of the most extraordinary examples of Baroque architecture in Sicily. With its grand facade, majestic dome, and incredible artistic heritage, it stands not only as a place of worship but also as a defining symbol of the city. Each year, thousands of visitors are captivated by the magnificence of this sacred masterpiece.

Historical Background

A panoramic night view of Ragusa Ibla, with the city lights and the majestic dome of the Duomo of San Giorgio dominating the landscape.

Ragusa Ibla, an ancient Sicilian city, underwent a significant transformation following the devastating earthquake of 1693, which struck the entire Val di Noto region. This catastrophic event destroyed numerous cities, including Noto and Catania, and claimed around 54,000 lives, with nearly 5,000 casualties in Ragusa alone. The subsequent reconstruction led to the birth of an invaluable architectural heritage, with many Baroque-style buildings, including the Duomo of San Giorgio. During this period, the city split into two: Ragusa Superiore, built on higher ground, and Ragusa Ibla, the historical core where the Duomo stands as a symbol of rebirth after tragedy.

Origins and Construction of the Duomo

Following the 1693 earthquake, which destroyed much of southeastern Sicily, including Ragusa, the need arose to rebuild the mother church dedicated to Saint George. The commission was entrusted in 1738 to architect Rosario Gagliardi, a key figure in Sicilian Baroque, renowned for his work in the reconstruction of Noto and his significant contributions to religious architecture.

The foundation stone of the new Duomo was laid on June 28, 1739, as documented by a plaque on the right side of the staircase. However, construction effectively began in 1744 and spanned several decades, culminating in the completion of the facade in 1775, as indicated on the spire below the cross.

The dome, a distinctive feature of the Duomo, was added later in 1820. According to tradition, it was designed by Ragusan master builder Carmelo Cultraro, inspired by the Pantheon in Paris. However, more recent studies attribute the work to architect Stefano Ittar, marking an evolution towards Neoclassicism. The construction of the Duomo on the site of the previous Church of San Nicola, which had followed the Greek rite until the 16th century, symbolizes the rebirth of Ragusa Ibla after the seismic disaster, reinforcing the city’s cultural and religious identity.

Exterior Architecture

The Facade

The Duomo is distinguished by its majestic tower-like facade, unique in its design, incorporating the bell tower. The central body has a slight convex shape, creating a sense of upward movement typical of the Baroque style. The facade is adorned with free-standing columns and volutes connecting the different levels, producing a breathtaking scenic effect.

Statues of Saint George, Saint James, Saint Peter, and Saint Paul grace the niches on the facade. The main portal, framed by an elaborate mixed-line structure, features wooden doors decorated with scenes of Saint George’s martyrdom, crafted by Vincenzo Fiorello in 1793.

The Dome

The Duomo’s dome, completed in 1820 in a Neoclassical style, stands 43 meters high and rests on an octagonal drum supported by sixteen columns. This architectural element dominates the skyline of Ragusa Ibla, enhancing the structure’s grandeur and solemnity.

Interior of the Duomo

General Structure

The interior follows a Latin cross layout, with three naves separated by ten pillars adorned with sculpted capitals. The central apse is semicircular, and the cornice is enriched with finely detailed sculptural decorations.

Right Nave

  • Chapel of Saint Vito: Houses a painting dedicated to the saint.
  • Chapel of Saint Basil: Contains an altarpiece depicting the saint.
  • Wooden Statue of Saint George: Created by Rosario Bagnasco in 1874, portraying the saint slaying the dragon.
  • Chapel of the Immaculate Conception: Features a painting attributed to Vito D’Anna.
  • Chapel of the Holy Family: Displays a painting by Dario Querci (1864) depicting the Rest on the Flight into Egypt.

Left Nave

  • Chapel of Saint Maria Maddalena dei Pazzi: Holds an altarpiece dedicated to the saint.
  • Chapel of the Rosary: Features a painting of the Madonna of the Rosary.
  • Holy Ark: A reliquary urn carried in procession during festivities.
  • Chapel of the Guardian Angel: Houses a painting by Vito D’Anna (1763).
  • Chapel of Saint Gaudenzia: Displays a painting by Antonio Manno (1782).

Transept

  • Chapel of the Blessed Sacrament: Features a marble altar and silver works by Domenico La Villa (1747).
  • Chapel of Saint Nicholas: Houses a painting by Vito D’Anna (1767).
  • Chapel of the Holy Crucifix: Displays a 17th-century crucifix.
  • Chapel of Saint George: Features a painting by Dario Querci (1866).

The High Altar

The high altar, located in the central apse, is crafted from fine marble. Behind it, the finely carved choir stalls add to the Duomo’s artistic richness.

Artistic Treasures and Sacred Relics

The Sacristy

The Duomo’s sacristy houses a remarkable Renaissance “cona” (altarpiece) attributed to the Gagini workshop, commissioned in 1573. Made of local limestone, it features statues of Saint George on horseback, Saint Hippolytus, and Saint Mercurius, depicted in military attire. Damaged in the 1693 earthquake, it was later resized to fit the new Duomo’s sacristy. Recent restorations have revealed hidden details, including medallions of Adam, Eve, and David.

Additionally, the sacristy preserves the original architectural drawings by Rosario Gagliardi, offering invaluable insight into the design process of the Duomo.

The Treasury of Saint George

The Duomo holds a rich sacred treasure, displayed in the Duomo Museum since 2009, including:

  • Byzantine enkolpion: A cross-shaped reliquary containing relics of Saints Peter and Paul, dating back to the 16th century.
  • Golden monstrance: Created by Palermo goldsmith Giuseppe Vella in the 18th century, encrusted with diamonds, emeralds, and rubies, donated by Canon Giuseppe Sortino.
  • Silver busts: Depicting Saint Gaudenzia and Saint George, showcasing the craftsmanship of Sicilian silversmiths.
  • Liturgical objects: Finely crafted chalices, ceremonial staffs, and sacred vestments highlighting the Duomo’s historical significance.
  • Passion Painting: A large canvas depicting the Crucifixion, used to veil the apse during Lent, created by Calatino painters Francesco and Giuseppe Vaccaro.

These treasures enrich the Duomo’s artistic heritage and serve as a testament to the devotion and religious traditions of the Ragusan community.

Events and Festivities

The Duomo of San Giorgio is the heart of the celebrations honoring Saint George, the patron saint of Ragusa Ibla. These festivities traditionally take place on the last weekend of May or the first weekend of June, spanning three days of religious and folkloric events that bring the entire community together.

The April Liturgical Feast

The celebrations begin on April 23 with the liturgical feast of Saint George. On this day, solemn Masses and religious ceremonies are held inside the Duomo, marking the spiritual preparation for the grand festivities that follow.

The Grand Feast and Processions

The main event takes place between late May and early June, when Ragusa Ibla comes alive with a series of celebrations blending faith and tradition.

On Friday, the statue of Saint George, a masterpiece sculpted by Palermo-based artist Giuseppe Bagnasco in 1842, and the Holy Ark, which holds the saint’s relics along with those of other martyrs, are brought out from the beautifully adorned Duomo. The procession moves towards the Church of Purgatory, where the Holy Ark is temporarily kept, while the statue of Saint George continues its journey to the Church of San Tommaso, where it remains on display for veneration throughout the night.

On Saturday, the statue is taken back to the Church of Purgatory, reuniting with the Holy Ark in preparation for the most awaited day.

On Sunday, the climax of the festivities begins with joyful church bells ringing and celebratory cannon shots. In the afternoon, following a solemn Mass, the statue of Saint George and the Holy Ark are once again carried in procession.

One of the most emotional and iconic moments of the celebration is the “Dance of the Saint” (Ballata del Santo), during which the statue is lifted and “danced” by its bearers in rhythm with lively marching bands, while the crowd chants “Tutti Truonu!”, proclaiming the supremacy of their beloved patron.

The procession winds through the historic streets of Ibla, pausing at significant locations such as the Church of Purgatory and the Iblei Gardens. The grand finale is a breathtaking fireworks display, illuminating the sky above the Duomo and closing the celebrations with a mix of shared joy and deep devotion.

Lost Traditions

In the past, the Feast of Saint George included now-lost traditions, such as the release of a hot air balloon bearing the saint’s cross and a theatrical procession featuring costumed figures reenacting key moments of Saint George’s martyrdom. These unique customs added an extra layer of charm and spectacle to the festivities, showcasing the rich cultural heritage of Ragusa Ibla.

Today, the celebrations remain a powerful symbol of local identity, blending faith, history, and tradition in an event that attracts countless visitors each year, all eager to experience the authenticity of this centuries-old festival.

The Duomo in Popular Culture

With its stunning baroque façade and breathtaking setting, the Duomo of San Giorgio has frequently served as a filming location for movies and TV series.

One of its most famous appearances is in the internationally acclaimed TV series Inspector Montalbano (Il Commissario Montalbano), which has further cemented the Duomo’s reputation as one of Sicily’s architectural gems.

Beyond Inspector Montalbano, the Duomo has also featured in other films and TV productions, including the Taviani brothers’ Kaos and the second season of L’onore e il rispetto.

These productions have helped showcase the beauty of Ragusa Ibla to the world, attracting tourists and film enthusiasts eager to explore the iconic locations brought to life on screen.

Visitor Information: Opening Hours, Tickets and Contacts

Opening Hours

  • Morning: 10:00 AM – 1:00 PM
  • Afternoon: 3:30 PM – 7:30 PM

Mass Times

  • Weekdays (Summer): 7:00 PM
  • Weekdays (Winter): 6:00 PM
  • Sundays & Holidays (Summer): 11:00 AM and 7:00 PM
  • Sundays & Holidays (Winter): 11:00 AM and 6:00 PM

Duomo Museum

  • Location: Salita Duomo, 15 (a short walk from the church)
  • Opening Hours:
    • Summer (Easter to October): Daily, 10:00 AM – 12:30 PM
    • Winter (November to Easter): Weekends only

Tickets

  • Full price: €3.00
  • Reduced: €2.00

Contacts

Visitors are encouraged to check for updates on schedules or special events by contacting the church directly or visiting the official website before their visit.

Location on the Map

Share This Story, Choose Your Platform!

Related Posts

The Duomo of San Giorgio in Ragusa Ibla: A Masterpiece of Sicilian Baroque

Discover the history, architecture, and artistic treasures of the Duomo of San Giorgio in Ragusa Ibla, a symbol of Sicilian Baroque and an unmissable destination in Sicily

Text and Photos by Marco Crupi

The Duomo of San Giorgio illuminated at night in Ragusa Ibla, with outdoor cafés and a lively nightlife in the main square of the historic center.

Nestled in the heart of Ragusa Ibla, the Duomo of San Giorgio is one of the most extraordinary examples of Baroque architecture in Sicily. With its grand facade, majestic dome, and incredible artistic heritage, it stands not only as a place of worship but also as a defining symbol of the city. Each year, thousands of visitors are captivated by the magnificence of this sacred masterpiece.

Historical Background

A panoramic night view of Ragusa Ibla, with the city lights and the majestic dome of the Duomo of San Giorgio dominating the landscape.

Ragusa Ibla, an ancient Sicilian city, underwent a significant transformation following the devastating earthquake of 1693, which struck the entire Val di Noto region. This catastrophic event destroyed numerous cities, including Noto and Catania, and claimed around 54,000 lives, with nearly 5,000 casualties in Ragusa alone. The subsequent reconstruction led to the birth of an invaluable architectural heritage, with many Baroque-style buildings, including the Duomo of San Giorgio. During this period, the city split into two: Ragusa Superiore, built on higher ground, and Ragusa Ibla, the historical core where the Duomo stands as a symbol of rebirth after tragedy.

Origins and Construction of the Duomo

Following the 1693 earthquake, which destroyed much of southeastern Sicily, including Ragusa, the need arose to rebuild the mother church dedicated to Saint George. The commission was entrusted in 1738 to architect Rosario Gagliardi, a key figure in Sicilian Baroque, renowned for his work in the reconstruction of Noto and his significant contributions to religious architecture.

The foundation stone of the new Duomo was laid on June 28, 1739, as documented by a plaque on the right side of the staircase. However, construction effectively began in 1744 and spanned several decades, culminating in the completion of the facade in 1775, as indicated on the spire below the cross.

The dome, a distinctive feature of the Duomo, was added later in 1820. According to tradition, it was designed by Ragusan master builder Carmelo Cultraro, inspired by the Pantheon in Paris. However, more recent studies attribute the work to architect Stefano Ittar, marking an evolution towards Neoclassicism. The construction of the Duomo on the site of the previous Church of San Nicola, which had followed the Greek rite until the 16th century, symbolizes the rebirth of Ragusa Ibla after the seismic disaster, reinforcing the city’s cultural and religious identity.

Exterior Architecture

The Facade

The Duomo is distinguished by its majestic tower-like facade, unique in its design, incorporating the bell tower. The central body has a slight convex shape, creating a sense of upward movement typical of the Baroque style. The facade is adorned with free-standing columns and volutes connecting the different levels, producing a breathtaking scenic effect.

Statues of Saint George, Saint James, Saint Peter, and Saint Paul grace the niches on the facade. The main portal, framed by an elaborate mixed-line structure, features wooden doors decorated with scenes of Saint George’s martyrdom, crafted by Vincenzo Fiorello in 1793.

The Dome

The Duomo’s dome, completed in 1820 in a Neoclassical style, stands 43 meters high and rests on an octagonal drum supported by sixteen columns. This architectural element dominates the skyline of Ragusa Ibla, enhancing the structure’s grandeur and solemnity.

Interior of the Duomo

General Structure

The interior follows a Latin cross layout, with three naves separated by ten pillars adorned with sculpted capitals. The central apse is semicircular, and the cornice is enriched with finely detailed sculptural decorations.

Right Nave

  • Chapel of Saint Vito: Houses a painting dedicated to the saint.
  • Chapel of Saint Basil: Contains an altarpiece depicting the saint.
  • Wooden Statue of Saint George: Created by Rosario Bagnasco in 1874, portraying the saint slaying the dragon.
  • Chapel of the Immaculate Conception: Features a painting attributed to Vito D’Anna.
  • Chapel of the Holy Family: Displays a painting by Dario Querci (1864) depicting the Rest on the Flight into Egypt.

Left Nave

  • Chapel of Saint Maria Maddalena dei Pazzi: Holds an altarpiece dedicated to the saint.
  • Chapel of the Rosary: Features a painting of the Madonna of the Rosary.
  • Holy Ark: A reliquary urn carried in procession during festivities.
  • Chapel of the Guardian Angel: Houses a painting by Vito D’Anna (1763).
  • Chapel of Saint Gaudenzia: Displays a painting by Antonio Manno (1782).

Transept

  • Chapel of the Blessed Sacrament: Features a marble altar and silver works by Domenico La Villa (1747).
  • Chapel of Saint Nicholas: Houses a painting by Vito D’Anna (1767).
  • Chapel of the Holy Crucifix: Displays a 17th-century crucifix.
  • Chapel of Saint George: Features a painting by Dario Querci (1866).

The High Altar

The high altar, located in the central apse, is crafted from fine marble. Behind it, the finely carved choir stalls add to the Duomo’s artistic richness.

Artistic Treasures and Sacred Relics

The Sacristy

The Duomo’s sacristy houses a remarkable Renaissance “cona” (altarpiece) attributed to the Gagini workshop, commissioned in 1573. Made of local limestone, it features statues of Saint George on horseback, Saint Hippolytus, and Saint Mercurius, depicted in military attire. Damaged in the 1693 earthquake, it was later resized to fit the new Duomo’s sacristy. Recent restorations have revealed hidden details, including medallions of Adam, Eve, and David.

Additionally, the sacristy preserves the original architectural drawings by Rosario Gagliardi, offering invaluable insight into the design process of the Duomo.

The Treasury of Saint George

The Duomo holds a rich sacred treasure, displayed in the Duomo Museum since 2009, including:

  • Byzantine enkolpion: A cross-shaped reliquary containing relics of Saints Peter and Paul, dating back to the 16th century.
  • Golden monstrance: Created by Palermo goldsmith Giuseppe Vella in the 18th century, encrusted with diamonds, emeralds, and rubies, donated by Canon Giuseppe Sortino.
  • Silver busts: Depicting Saint Gaudenzia and Saint George, showcasing the craftsmanship of Sicilian silversmiths.
  • Liturgical objects: Finely crafted chalices, ceremonial staffs, and sacred vestments highlighting the Duomo’s historical significance.
  • Passion Painting: A large canvas depicting the Crucifixion, used to veil the apse during Lent, created by Calatino painters Francesco and Giuseppe Vaccaro.

These treasures enrich the Duomo’s artistic heritage and serve as a testament to the devotion and religious traditions of the Ragusan community.

Events and Festivities

The Duomo of San Giorgio is the heart of the celebrations honoring Saint George, the patron saint of Ragusa Ibla. These festivities traditionally take place on the last weekend of May or the first weekend of June, spanning three days of religious and folkloric events that bring the entire community together.

The April Liturgical Feast

The celebrations begin on April 23 with the liturgical feast of Saint George. On this day, solemn Masses and religious ceremonies are held inside the Duomo, marking the spiritual preparation for the grand festivities that follow.

The Grand Feast and Processions

The main event takes place between late May and early June, when Ragusa Ibla comes alive with a series of celebrations blending faith and tradition.

On Friday, the statue of Saint George, a masterpiece sculpted by Palermo-based artist Giuseppe Bagnasco in 1842, and the Holy Ark, which holds the saint’s relics along with those of other martyrs, are brought out from the beautifully adorned Duomo. The procession moves towards the Church of Purgatory, where the Holy Ark is temporarily kept, while the statue of Saint George continues its journey to the Church of San Tommaso, where it remains on display for veneration throughout the night.

On Saturday, the statue is taken back to the Church of Purgatory, reuniting with the Holy Ark in preparation for the most awaited day.

On Sunday, the climax of the festivities begins with joyful church bells ringing and celebratory cannon shots. In the afternoon, following a solemn Mass, the statue of Saint George and the Holy Ark are once again carried in procession.

One of the most emotional and iconic moments of the celebration is the “Dance of the Saint” (Ballata del Santo), during which the statue is lifted and “danced” by its bearers in rhythm with lively marching bands, while the crowd chants “Tutti Truonu!”, proclaiming the supremacy of their beloved patron.

The procession winds through the historic streets of Ibla, pausing at significant locations such as the Church of Purgatory and the Iblei Gardens. The grand finale is a breathtaking fireworks display, illuminating the sky above the Duomo and closing the celebrations with a mix of shared joy and deep devotion.

Lost Traditions

In the past, the Feast of Saint George included now-lost traditions, such as the release of a hot air balloon bearing the saint’s cross and a theatrical procession featuring costumed figures reenacting key moments of Saint George’s martyrdom. These unique customs added an extra layer of charm and spectacle to the festivities, showcasing the rich cultural heritage of Ragusa Ibla.

Today, the celebrations remain a powerful symbol of local identity, blending faith, history, and tradition in an event that attracts countless visitors each year, all eager to experience the authenticity of this centuries-old festival.

The Duomo in Popular Culture

With its stunning baroque façade and breathtaking setting, the Duomo of San Giorgio has frequently served as a filming location for movies and TV series.

One of its most famous appearances is in the internationally acclaimed TV series Inspector Montalbano (Il Commissario Montalbano), which has further cemented the Duomo’s reputation as one of Sicily’s architectural gems.

Beyond Inspector Montalbano, the Duomo has also featured in other films and TV productions, including the Taviani brothers’ Kaos and the second season of L’onore e il rispetto.

These productions have helped showcase the beauty of Ragusa Ibla to the world, attracting tourists and film enthusiasts eager to explore the iconic locations brought to life on screen.

Visitor Information: Opening Hours, Tickets and Contacts

Opening Hours

  • Morning: 10:00 AM – 1:00 PM
  • Afternoon: 3:30 PM – 7:30 PM

Mass Times

  • Weekdays (Summer): 7:00 PM
  • Weekdays (Winter): 6:00 PM
  • Sundays & Holidays (Summer): 11:00 AM and 7:00 PM
  • Sundays & Holidays (Winter): 11:00 AM and 6:00 PM

Duomo Museum

  • Location: Salita Duomo, 15 (a short walk from the church)
  • Opening Hours:
    • Summer (Easter to October): Daily, 10:00 AM – 12:30 PM
    • Winter (November to Easter): Weekends only

Tickets

  • Full price: €3.00
  • Reduced: €2.00

Contacts

Visitors are encouraged to check for updates on schedules or special events by contacting the church directly or visiting the official website before their visit.

Location on the Map

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